Welcome again on the weblog! Yesterday I confirmed you the primary two areas of this yr’s Dimore studio collaborations throughout Milan Design week, and as we speak I take you to the atelier of Osanna Visconti the place Dimore Studio and Japanese firm HOSOO confirmed their assortment. We additionally visited Work it at Fondazione Sozzani, an incredible get along with Dimorestudio. Take a look at my Instagram account or search the weblog beneath Milan Design Week 2025 for all Milan Design week highlights. Within the weblog part you discover the search bar on the bottem of the positioning!
Hemispheres Assortment
At Osanna Visconti’s atelier, HOSOO and Dimorestudio got here collectively to current the brand new Hemispheres textile assortment. Recognized for his or her refined design language, Dimorestudio reinterpreted centuries previous Japanese motifs into a relaxed, poetic sequence of materials. Stuffed with bronze works by Osanna Visconti herself a fantastically theatrical setting was created.
The Hemispheres Assortment is rooted within the heritage of the HOSOO household, who’ve preserved over 20,000 unique obi patterns throughout generations. These as soon as uncolored sketches are actually dropped at life by way of muted, subtle tones forming a brand new form of textile language. Nature is a powerful theme all through, with patterns impressed by bamboo, flowers, and natural motion.Three inventive forces got here collectively on the atelier: Japanese craftsmanship, Italian design, and bronze artistry
Dimorestudio – Work it at Fondazione Sozzani
This yr, for the primary time, Dimorestudio stepped outdoors its iconic By way of Solferino house, bringing their inventive world to life in a brand new location: the Fondazione Sozzani on By way of Bovisasca. As a substitute of exhibiting completed interiors, WORK IT provided one thing extra intimate—a glance contained in the studio’s course of, from early inspiration to ultimate design. It was much less of a traditional presentation, and extra of an atmospheric studio diary was a full-scale set up.
Strolling by way of the house felt like getting into a large, 3D moodboard—not simply fairly supplies and shade palettes, however precise desks, sketches, textures, and items mid-creation. Each floor carried a thought, a reference, or a reminiscence.
Set inside Fondazione Sozzani, a cultural house recognized for supporting cross-disciplinary inventive work, WORK IT felt proper at residence. It jogged my memory that what we see throughout Design Week is usually the results of months (or years) of silent, looking out, hands-on work. This was an invite to witness that a part of the journey. ‘Humorous sufficient’ it additionally felt like getting into 10 Corso Como at some elements, a few of the decor was unmistakably the Corso Como vibe.
Pictures ©vosgesparis
