New Dutch model ØDE Design is launching its first assortment of high-quality, stable wooden tables at Masterly throughout my favorite Design week of the 12 months: Milan Design Week.
ØDE returns to the essence. Utilizing sustainable wooden, a neighborhood manufacturing course of and true Dutch designs. The title “Øde” derived from the place the tables are crafted – a wooden manufacturing unit established in 1754 – in Udenhout, previously generally known as Ødenhout.
All ØDE tables are produced from top quality stable oak or American walnut, out there within the colors: pure white oak and carbon oak. There’s a selection of varied sizes and the tables are all the time made to order. Connection is central to ØDE, every desk is put collectively utilizing particular connection strategies, in order that no screw is seen.
Otoko and Josei
The Otoko and Josei tables had been designed by Francine Broos Interieurarchitecten At first look, they give the impression of being the identical, however Otoko is the masculine variant, the connecting components and the tabletop are rectangular. Whereas Josei is the female model, characterised by way of delicate, female contours.
The fundamental design of those tables is impressed by Japanese wooden joints, as seen in shrines and temples. Attribute is the self-supporting building. All constructive components are invisible as a result of distinctive processing of recent connection strategies. The elegant design comes into its personal in a basic inside and due to the minimalist character in addition they match very properly in a contemporary atmosphere.
Rhythm and De Stijl
The ‘Rhythm’ and ‘De Stijl’ tables had been designed by Julius Taminiau Architects. The straightforward and geometric shapes in each designs have been impressed by Japanese tradition. The principle traits embody high quality and glossy traces, and a standard strategy to furniture-making. The rhythm of nature, music and structure are captured throughout the Rhythm desk. This elegant but playful desk is ideal for creating inviting eating experiences and lengthy conversations with household and pals. (pictured above)
De Stijl
The design of ‘De Stijl’ desk is predicated on Julius’ seek for the essence of De Stijl and Japanese tradition. The eponymous artwork motion is strongly related to Japanese tradition, and can also be known as Japonism. It entails paying nice consideration to connections between so-called intersections, but additionally exploiting how ‘gentle’ components are perceived. For example, if one thing seems to be gentle, then it additionally appears to be like elegant.
Footage courtesy Øde
