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The Collectible Edit | COMO assortment by LEFEBVRE | LANNAUX debuts at Collectible 2026


Final yr throughout Antwerp Design week I found the work by Lefebvre | Lannaux and I used to be immediately impressed by their aesthetic design and use of supplies. At Collectible 2026 in Brussels they offered two new collector items: COMO wall and COMO console, persevering with their analysis into proportion, materials origin, and the dialogue between structure,craftsmanship, and visible artwork.

Pushed by a shared architectural imaginative and prescient, designers Corentin Lefèbvre, Maxim Lannaux and Frédéric Lefèbvre create items the place aesthetics and performance come collectively. Their collaboration started via a shared curiosity in inside design throughout their research at Thomas Extra College School in Mechelen and later structure at Sint-Lucas College of Structure in Ghent.

From a younger age, Corentin and Maxim had been occupied with craftsmanship and pure supplies. Corentin usually assisted his father Frédéric in his carpentry workshop, identified for customized woodwork for Belgian artists. Maxim grew up in a household enterprise in Belgian forestry, which supplies Lefebvre Lannaux entry to high-quality sorts of wooden from Belgium.

All creations by Lefebvre Lannaux are conceived and developed of their studio in Antwerp and produced of their workshop in Mechelen.

 

LEFEBVRE LANNAUX at collectible 2026

Lefebvre | Lannaux Presentation at Collectible 2026

LEFEBVRE LANNAUX at collectible 2026

COMO console

COMO console introduces a collaboration with ceramic artist Karen Verlinden. Her layered ceramic components convey a tactile, sculptural dimension to the architectural construction of the furnishings, making a hybrid object the place design and ceramic sculpture converge.

 

LEFEBVRE LANNAUX at collectible 2026

LEFEBVRE LANNAUX at collectible 2026 LEFEBVRE LANNAUX at collectible 2026

LEFEBVRE LANNAUX

COMO wall

COMO wall attracts on the designers’ private histories. Maxim Lannaux makes use of wooden harvested by his father within the Sonian Forest, whereas Corentin Lefebvre integrates linen painter’s canvas from his father’s framing workshop. The piece references the structure of ecclesiastical polyptychs and follows the duo’s attribute 5:8 proportional system.

 

LEFEBVRE LANNAUX LEFEBVRE LANNAUX

LEFEBVRE LANNAUX

 

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Photos by Pilar Shoots // first picture by vosgesparis

 



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