Throughout my go to at Edit Napoli I had the pleasure to get launched to completely different new designers and their work. The placement of La Santissima definitely added an additional dimension, her tough and unpolished character suited the designs of American designer Haydn von Werp completely. The small room, embellished with an enormous mirror, exhibiting his Tresse assortment actually caught my eye and made me curious to study extra. Haydn’s work has been beforehand offered via personal viewings and he made his public debut this 12 months at Edit Napoli, Forthcoming exhibitions are scheduled throughout Europe.
Tresse
Drawing inspiration from Futurism’s sculptural purity and Brutalism’s uncooked tactility, Haydn reinterprets these influences via a recent lens the place pure imperfection and refined geometry coexist in concord. Making Tresse a group that redefines the boundaries between magnificence and construction.
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In Tresse, braided metallic kinds intertwine with pure stone, creating compositions that really feel each structural and aesthetic. Lower-outs within the stone combine seamlessly with the woven metallic, producing an interaction between solidity and lightness. The result’s a group that reimagines the backyard as an area of quiet power—an unexplored terrain in high-end design, the place craftsmanship meets the outside with precision. Produced completely in Italy by chosen artisans, every bit is hand made and made to order.
Tresse Facet desk
Alongside the eating desk, Haydn showcased the Tresse Facet Desk, designed in parallel for each outside and indoor settings. This smaller piece captures the identical spirit of motion in a extra intimate kind: braided metallic arcs in darkish patina, developed with Mingardo official.
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Photos by Haydn with thanks
